Individuals develop through confronting life's challenges and problems. The Hobbit is concerned with the conflict that exists between equilibrium and change. Bilbo is forced to choose between his avarice and the well-being of not only The Shire but the entire world due to the total weight of the repercussions leading to the awakening of evil. The Hobbit by J.R.R. Tolkien employs an extended trip to show how an individual's integrity may help them overcome life's temptations and avoid greed and corruption.
Tolkien's use of unique and exact characters throughout the text certainly set the tone for an epic fantasy adventure. Gandalf, a powerful wizard, ageless and knowledgeable, sees the potential in Bilbo Baggins, the main character. Gandalf keeps his intentions and abilities hidden while appearing to be all-knowing. For example, it is never revealed why he chooses to assist Thorin on his quest, although he seems uninterested in the riches. Gandalf is more than an elderly guy with a ridiculous hat; he appears to be the only one who can preserve the world from evil. "Gandalf is also more powerful than everyone else in the book," the Shmoop Editorial Team says, adding that "he appears to know all that's in Bilbo before Bilbo knows it himself" (Shmoop.com).
"Bilbo Baggins is the novel's protagonist," according to Novels for Students (99-113). He is merely there for the journey as directed by Gandalf, even though he is not nearly a hero. Unlike the other characters, Bilbo is sensible and kind, almost unremarkable. In truth, the only unusual aspect of this ordinary Hobbit is his good fortune, which constantly appears to save him from circumstances that appear to be beyond his control. Despite his many positive characteristics, Bilbo has one negative trait: he is a thief. Smaug, the dragon from whom he took a golden cup, is one of the riskier of his robberies. Smaug, the "greedy, powerful, and evil" dragon that kidnapped the Lonely Mountain's massive wealth, can only be defined as "greedy, strong, and wicked" (Tolkien 123).
Tolkien's tale is littered with obvious allusions to religion, particularly Christianity. Religion has been a big part of the author's life since he was a kid. Tolkien "received a scholarship to the elite King Edward VI School in Birmingham" in 1903, and he and his brothers were fostered by "a catholic priest, Father -Francis Morgan" when his mother died tragically when he was twelve years old (Novels for Students 99-113). The conflict between good and evil is the most obvious reference in The Hobbit. Every religion has higher power, and the higher power in this book is Gandalf. Gandalf, like God in Catholicism, isn't constantly present. He seems to come and depart as required, with the same traits as a rescuer. Gandalf's support is never used to benefit evil in this story. And when he rescues the fellowship, he does so with his magical abilities, which always appear as a flash of light, which is a sign of purity or good in general. When goblins attack the dwarves, Gandalf employs a flash of light to aid them in their escape. (60-65 Tolkien) Finally, practically everything in this book may be linked to religion somehow. In many ways, Gandalf is a symbol of purity and goodness.
The Hobbit by J.R.R. Tolkien and King Soloman's Mines by H. Rider Haggard share a lot of parallels. When it comes to Tolkien-inspired Middle Earth, "The Hobbit is a new King Soloman's Mine in Tolkien's vast linguistic and geographical sub-creation," William H. Green said in a statement, "even though Tolkien did not describe himself as imitating Haggard's work, many argue that Haggard's work fed Tolkien's creative process" (Twentieth-Century Literary Criticism 53-64). The first parallel is between Bilbo Baggins and Allen Quartermain, the two main protagonists. Both have been described as "little and shy," yet they are also "hardy, strong-willed, and ethical" (Twentieth-Century Literary Criticism 53-64). The adventures in both stories are offered by a tall bearded stranger, not the main protagonists. This foreigner is known as Gandalf in The Hobbit and Sir Henry Curtis in King Soloman's Mines. In both works, strangers have a chance to learn the explorers' lives and histories well enough to entrust them with such a crucial journey.
"Tolkien's wartime experiences strongly inspired him as a young author." From page 152 to 158 in Literature and the Time It's possible that Tolkien's story involves gruesome fatalities, which may be a reference to his time in World War I when two of the youngest dwarfs were slain in combat. Smaug, the dragon, is one of the more obscure emblems. Smaug was notorious for being greedy in the story. Nazi Germany had a reputation for being brutal, strong, and hungry throughout this period of World War 1. In this fable, Smaug represents Germany's greed and needs to be feared by others.
Finally, Tolkien's adventure fantasy tale is densely laden with symbolism ranging from religion to previous military experiences.
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